A romantic comedy, the Hindi movie Why Him (2025) was brought to the screen by director John Hamburg. The script was penned by Jonah Hill, John Hamburg, and Ian Helfer. A joint production by Shawn Levy, Dan Levine, Ben Stiller, and Jonah Hill, the film was presented by Red Hour Productions, 21 Laps Entertainment, 75 Year Plan Productions, and TSG Entertainment. Why Him became available on OTT on June 25, 2025, clocking in at 1 hour and 51 minutes.
Why Him 2025 Movie Overviews
| Movie Name | Why Him 2025 Movie |
| Original Language | English |
| Spoken Language | Hindi |
| Release Date | 25 June 2025 |
| Runtime | 1 hour and 51 minutes |
| Country | Untied States |
| Genres | Comedy Drama |
| Director | John Hamburg |
| Producer | Shawn Levy, Dan Levine, Ben Stiller, Jonah Hill |
Why Him 2025 Movie Screenshots
आप जो भी चाहते है वह आपको टेलीग्राम पर मिलेगा जॉइन करें
Why Him 2025 Movie Star Cast
| Actor | Role |
|---|---|
| James Franco | Laird Mayhew |
| Bryan Cranston | Ned Fleming |
| Zoey Deutch | Stephanie Fleming |
| Megan Mullally | Barb Fleming |
| Keegan-Michael Key | Gustav |
| Andrew Rannells | Blaine |
Why Him 2025 Movie Trailer
Why Him 2025 Movie Review
The film delivers sporadic laughs, particularly through Franco’s over-the-top, no-filter performance and Cranston’s exasperated straight-man reactions. Their chemistry, bolstered by Cranston’s comedic roots (Malcolm in the Middle), carries many scenes. Keegan-Michael Key steals moments as Laird’s quirky assistant Gustav, with a running gag involving surprise attacks that lands well. Some visual gags, like a high-tech toilet mishap, and cameos (e.g., KISS members) add absurd charm. The movie’s attempt at heart—emphasizing family communication and not judging by appearances—feels earnest, even if predictable. Fans of Franco’s brand of crude humor, seen in films like Pineapple Express, may find it consistently funny.
The script, co-written by Hamburg and Ian Helfer, leans heavily on juvenile humor—f-bombs, toilet gags, and sexual innuendos—that grows repetitive and often falls flat. Critics noted its reliance on shock value over wit, comparing it unfavorably to smarter comedies like Meet the Parents, which Hamburg co-wrote. The plot is formulaic, recycling the “father vs. fiancé” trope without fresh angles, and the 111-minute runtime feels stretched with filler scenes. Stephanie’s character lacks depth, serving as a plot device rather than a fully realized person, which undercuts the romance. The film’s pop culture references and tech-world satire (e.g., Laird’s Siri-like assistant voiced by Kaley Cuoco) feel dated or half-baked. Some gags, like a moose-urine art installation, are more cringe-inducing than funny.
