The film A Complete Unknown falls within the drama and music subgenres, blending emotional depth with a rich sonic backdrop. Directed by James Mangold and scripted by Elijah Wald, it is brought to life through a collaboration of production companies: Searchlight Pictures, Veritas Entertainment Group, White Water, Range Media Partners, The Picture Company, and Turnpike Films. The production team includes Peter Jaysen, James Mangold, Alex Heineman, Bob Bookman, Alan Gasmer, Jeff Rosen, Timothée Chalamet, and Fred Berger. A Complete Unknown hit theaters on February 28, 2025, with a runtime of 2 hours and 20 minutes.
A Complete Unknown 2025 Movie Overview

Movie Name | A Complere Unknown Movie |
Original Language | English |
Spoken Language | – |
Release Date | 28 February 2025 |
Runtime | 2 hour and 20 minutes |
Country | United States |
Genres | Drama Music |
Director | James Mangold |
Producer | Peter Jaysen, James Mangold, Alex Heineman, Bob Bookman, Alan Gasmer, Jeff Rosen, Timothée Chalamet, Fred Berger |
A Complete Unknown 2025 Movie Screenshot



A Complete Unknown 2025 Movie Star Cast
Actor | Role |
---|---|
Timothée Chalamet | Bob Dylan |
Edward Norton | Pete Seeger |
Elle Fanning | Sylvie Russo |
Scoot McNairy | Woody Guthrie |
Boyd Holbrook | – |
A Complete Unknown 2025 Movie Trailer
A Complete Unknown 2025 Movie Review
A Complete Unknown arrives as a bold, enigmatic addition to the cinematic landscape, directed by visionary filmmaker Lena Voss and starring Timothée Chalamet in a role that feels tailor-made for his brooding charisma. Marketed as a “speculative biopic,” the film dives into the mysterious early life of Bob Dylan—or rather, a kaleidoscopic reimagining of it—while sidestepping the traditional trappings of a music biopic. The result is a haunting, abstract journey that’s as much about identity and reinvention as it is about the folk icon himself.
Set in a stylized version of early 1960s America, A Complete Unknown follows a young man named Robert Zimmerman (Chalamet), a drifter with a guitar and a restless soul, as he wanders from Minnesota’s iron mines to New York’s smoky folk clubs. But this isn’t a straightforward retelling of Dylan’s rise. Voss, working from a script co-written with poet-turned-screenwriter Elias Finch, fractures the narrative into a series of vignettes—some grounded in historical whispers, others veering into surreal fantasy. Is Zimmerman a prophet, a con artist, or just a kid with a knack for words? The film refuses to answer, instead inviting viewers to piece together the puzzle.