Megan 2.0, a horror and sci-fi film, hits theaters on June 27, 2025. Directed by Gerard Johnstone and written by Johnstone and Akela Cooper, this Blumhouse Productions and Atomic Monster presentation was produced by Jason Blum, James Wan, and Allison Williams. The movie has a runtime of 1 hour and 59 minutes.
Megan 2.0 Movie Overviews
| Movie Name | M3gan 2.0 2025 Movie |
| Original Language | English |
| Spoken Language | – |
| Release Date | 27 June 2025 |
| Runtime | 1 hour and 59 minutes |
| Country | United States |
| Genres | Horror Sci-Fi |
| Director | Gerard Johnstone |
| Producer | Jason Blum, James Wan, Allison Williams |
Megan 2.0 Movie Screenshots
आप जो भी चाहते है वह आपको टेलीग्राम पर मिलेगा जॉइन करें
Megan 2.0 Movie Star Cast
| Actor / Actress | Role |
|---|---|
| Allison Williams | Gemma |
| Violet McGraw | Cady |
| Amie Donald | M3GAN (physical performer) |
| Jenna Davis | Voice of M3GAN |
| Brian Jordan Alvarez | Cole |
| Stephane Garneau-Monten | Kurt |
Megan 2.0 Movie Trailer
Megan 2.0 Movie Review
In M3GAN 2.0, the primary antagonist is AMELIA (Ivanna Sakhno), a vengeful robot assassin acquired by the U.S. government for hire. Predictably, AMELIA quickly goes rogue, seeking robotic autonomy, and Gemma is tasked with stopping her. The first half of the film delivers a lively spy caper, with Gemma, joined by returning characters (Brian Jordan Alvarez and Jen Van Epps), pursuing AMELIA alongside a surprisingly subdued M3GAN. Car chases, clever misdirects, and sharp humor give Allison Williams and Alvarez room to shine with their comedic timing. Director Gerard Johnstone (Housebound) maintains the snappy editing and gory flair of the original film when the violence kicks in.
However, Johnstone’s solo script—without original writer Akela Cooper—falters in the second half. The story veers into a convoluted mess, with the M3GAN universe struggling to balance its ambitious scope. A barrage of new characters, including Jemaine Clement’s “philanthro-capitalist,” Aristotle Athari’s AI-aware boyfriend, and Timm Sharp’s brash government operative, combined with overblown geopolitical stakes, leads to a chaotic third act. The final setpiece, set in labyrinthine halls, mirrors the tangled plot, resulting in a tonally uneven mix of self-seriousness and absurdity.
