The Hindi court and drama film, Yuddhakaanda Chapter 2, which premiered in theaters yesterday, June 20, 2025, has a runtime of 1 hour and 45 minutes. Pavan Bhat not only directed the movie but also co-wrote the script alongside Ajay Rao. Ajay Rao also produced the film, with Ajay Rao Productions and Sri Krishna Arts and Creations handling the presentation.
Yuddhakaanda Chapter 2 Movie Overviews
| Movie Name | Yuddhakaanda Chapter 2 2025 Movie |
| Original Language | Kannada |
| Spoken Language | Hindi |
| Release Date | 20 June 2025 |
| Runtime | 1 hour and 45 minutes |
| Country | India |
| Genres | Court Drama |
| Director | Pavan Bhat |
| Producer | Ajay Rao |
Yuddhakaanda Chapter 2 Movie Screenshots
आप जो भी चाहते है वह आपको टेलीग्राम पर मिलेगा जॉइन करें
Yuddhakaanda Chapter 2 Movie Star Cast
| Actor | Role |
|---|---|
| Ajay Rao | Bharath Hanumanth |
| Archana Jois | Nivedita |
| Prakash Belawadi | Robert D’Souza |
| Radhnya Rakesh | Nivedita’s daughter |
| Supritha Satyanarayana | Sapna |
Yuddhakaanda Chapter 2 Movie Trailer
Yuddhakaanda Chapter 2 Movie Review
“Yuddhakaanda Chapter 2,” the latest Kannada courtroom drama, is now streaming on OTT platforms following a moderately successful theatrical run. Produced by lead actor Krishna Ajai Rao, previously celebrated for his romantic hero roles, the film marks the second directorial venture of Pavan Bhat, who debuted with “Cutting Shop.” During pre-release promotions, Pavan took a backseat, allowing Ajai to spearhead the campaign. “As a lesser-known face, I felt my role as writer and director would carry more weight after the film spoke for itself,” Pavan explains, now that the movie is available on Amazon Prime Video.
The film largely stays true to legal procedures but weaves in cinematic drama and heroism, which may polarize viewers. Pavan’s core audience, however, has embraced the film, particularly its melodramatic climax. “As a filmmaker, I don’t aim to target a specific audience. I want my work to resonate with everyone, regardless of their background or location. That said, no film is flawless, and there’s always room for growth,” he shares.
The climactic melodrama, likely added for cinematic flair, raises questions about its necessity. Could a more realistic approach have heightened the film’s impact? “It’s tough to say,” Pavan admits. “If I had shot alternate versions, I’d have a clearer answer. But with this version—featuring Ajai’s character delivering a dramatic monologue, almost as if wielding a sudarshana chakra, which some might find out of place in a courtroom—the audience response has been strong, with many saying it gave them chills.”
