The Hindi film Detective Sherdil, an OTT release on June 20, 2025, offers a mix of comedy and mystery. Ravi Chhabriya directed the movie, while Sagar Bajaj, Ravi Zafar, and Ali Abbas Zafar are credited with the screenplay. Produced by Himanshu Kishan Mehra, Rohini Singh, Manmeet Singh, and Ali Abbas Zafar, and presented by AAZ Films, Offside Entertainment, and Maurya Entertainment, the film runs for 1 hour and 46 minutes.
Detective Sherdil 2025 Movie Overviews
| Movie Name | Detective Sherdil 2025 Movie |
| Original Language | Hindi |
| Spoken Language | Hindi |
| Release Date | 20 June 2025 |
| Runtime | 1 hour and 46 minutes |
| Country | India |
| Genres | Comedy Mystery |
| Director | Ravi Chhabriya |
| Producer | Himanshu Kishan Mehra, Rohini Singh, Manmeet Singh, Ali Abbas Zafar |
Detective Sherdil 2025 Movie Screenshots
आप जो भी चाहते है वह आपको टेलीग्राम पर मिलेगा जॉइन करें
Detective Sherdil 2025 Movie Star Cast
| Actor | Role |
|---|---|
| Diljit Dosanjh | Detective Sherdil |
| Diana Penty | Natasha |
| Boman Irani | Pankaj Bhatti |
| Chunky Panday | Bodhi Mama |
| Sumeet Vyas | Angad Bhatti |
| Sarah Barlondo | Elizabeth Bhatti |
| Arjun Tanwar | Purvak |
Detective Sherdil 2025 Movie Trailer
Detective Sherdil 2025 Movie Review
Ravi Chhabriya and Ali Abbas Zafar’s story lays the foundation for an intriguing murder mystery, but its potential remains underutilized. The screenplay, penned by Sagar Bajaj and Ali Abbas Zafar, shines in parts with its engaging moments, yet it falters due to numerous plot holes that lack adequate resolution. The dialogues, crafted by Bajaj and Zafar, alongside Suraj Gianani’s voiceover lines, bring a quirky flair, though some attempts at witty, stylish exchanges fall flat, missing their intended impact.
Ravi Chhabriya’s direction is competent, adeptly managing a complex narrative with multiple characters and a non-linear timeline without causing confusion. He effectively utilizes the film’s setting and crafts the character of Sherdil with depth and appeal. Standout moments include humorous touches, such as Natasha (Diana Penty) speaking in Diljit’s voice and a nod to Pankaj’s pen from 3 Idiots (2009), which add charm. The unpredictable climax further elevates the film.
However, the opening five minutes are disjointed, hampered by poor editing that disrupts the narrative flow. The portrayal of Pankaj as Europe’s top businessman feels unconvincing, particularly in the casual handling of his murder investigation. The detectives appear surprisingly relaxed, facing no apparent pressure to swiftly identify the killer. For instance, when Bodhi is reported missing, the police inexplicably delay tracking him down, waiting instead for his leisurely return. The absence of a post-mortem examination is a glaring oversight, as it could have clarified critical details about the murder weapon. Additionally, the subplot involving Purvak’s habit of changing residences every 21 days, and Sherdil’s implausible ability to locate him, feels far-fetched and poorly justified. Other unresolved questions linger: Why does Sherdil react negatively to Natasha joining the investigation? Is there a history of romance or professional conflict between them? These gaps leave the audience wanting more clarity.
