The Phoenician Scheme, a new thriller-comedy, is set to release in theaters on June 20, 2025. This film was both directed by Wes Anderson and co-written by him with Roman Coppola. Produced by Wes Anderson, Steven Rales, Jeremy Dawson, and John Peet, it’s presented by Indian Paintbrush and American Empirical Pictures. The movie runs for 1 hour and 45 minutes.
The Phoenician Scheme 2025 Movie Overviews
| Movie Name | The Phoenician Scheme 2025 Movie |
| Original Language | Englsh |
| Spoken Language | – |
| Release Date | 20 June 2025 |
| Runtime | 1 hour and 45 minutes |
| Country | Germany |
| Genres | Comedy Thriller |
| Director | Wes Anderson |
| Producer | Wes Anderson, Steven Rales, Jeremy Dawson, John Peet |
The Phoenician Scheme 2025 Movie Screenshots
आप जो भी चाहते है वह आपको टेलीग्राम पर मिलेगा जॉइन करें
The Phoenician Scheme 2025 Movie Star Cast
| Actor | Role / Notes |
| Benicio del Toro | Anatole “Zsa-zsa” Korda |
| Mia Threapleton | Sister Liesl |
| Tom Hanks | Leland |
| Bryan Cranston | Reagan |
| Richard Ayoade | Sergio |
| Jeffrey Wright | Marty |
| Benedict Cumberbatch | Uncle Nubar |
| Rupert Friend | Excalibur |
| F. Murray Abraham | Prophet |
| Charlotte Gainsbourg | Korda’s first wife |
| Willem Dafoe | Knave |
| Jason Watkins | Notary |
| Scott Shepherd | Field Reporter |
The Phoenician Scheme 2025 Movie Trailer
The Phoenician Scheme 2025 Movie Review
In Wes Anderson’s 2023 film Asteroid City, religion was a peripheral theme, lightly touched upon with a hint of critique. In his latest work, The Phoenician Scheme (Focus), Anderson places faith—particularly Catholicism—under a harsher spotlight, delivering a darker, more pointed commentary within his signature quirky, off-beat style.
The film’s narrative centers on two protagonists: Liesl Korda (Mia Threapleton), a young aspiring nun, and her estranged father, Anatole, alias Zsa-Zsa (Benicio del Toro), a morally dubious global tycoon. Zsa-Zsa lures Liesl from her convent to inherit his sprawling, ethically tainted business empire. Uninterested in wealth and aware of its corrupt origins, Liesl accepts only to pursue justice for her mother’s long-unsolved murder. Their journey takes them to the fictional nation of Phoenicia, where Zsa-Zsa is entangled in a massive construction scheme, and introduces them to a parade of his shady business associates, including his erratic half-brother Nubar (Benedict Cumberbatch, delightfully unhinged).
Anderson’s script starts with playful jabs at faith, treating it with a breezy irreverence. As the story unfolds, however, the tone shifts to a more cynical rejection of spirituality. Prayer is portrayed as futile, and the narrative suggests that moral clarity requires no divine guidance. Alongside this, Anderson skewers capitalists, corrupt politicians, and Marxist revolutionaries, though the film’s eccentricities occasionally overwhelm its sharp humor.
While The Phoenician Scheme retains Anderson’s distinctive aesthetic and delivers moments of wit, its increasingly bleak take on faith and its meandering quirks risk alienating viewers, leaving the film’s critique feeling more dismissive than incisive.
